
In June and July, Gabriela Scherer will return to the Deutsche Oper am Rhein to reprise Senta in Vasily Barkhatov’s production of Der fliegende Holländer. The season premiere in Düsseldorf will take place on June 16 and will be followed by performances on the 21st, 23rd and 29th as well as on July 3 and 6. Axel Kober will conduct a cast that also includes Michael Volle and James Rutherford in the title role, Bogdan Taloș as Daland, Jussi Myllys as Erik, Anna Harvey as Mary, David Fischer and Andrés Sulbarán as Steuermann.
Gabriela Scherer performed Senta in the premiere of the production last season in Duisburg. Next season, she will appear as Senta at the Deutsche Oper Berlin, the Philharmonie of Luxembourg, the Bozar in Brussels and again at Deutsche Oper am Rhein.
More information and tickets for the run in Düsseldorf: https://www.operamrhein.de/spielplan/a-z/der-fliegende-hollaender/
[Photo by Hans Jörg Michel]
In May 2026, Gabriela Scherer returns to the Opernhaus Zürich for a major milestone: she will appear there for the first time in a leading role, singing Leonore in Fidelio by Ludwig van Beethoven. Born and raised in Zurich and a former member of the house’s International Opera Studio, Scherer now returns to the main stage as an established artist, taking on one of the most demanding roles in the repertoire. The production is staged by Andreas Homoki and conducted by Axel Kober. With these performances, Gabriela Scherer returns to Zurich in a role she has already successfully performed two years ago in Lisbon, now bringing it to her home opera house for the first time.
Senta in Der fliegende Holländer has long been central to Gabriela Scherer’s repertoire, and on January 18 she is heard in the role again in a one-off performance at the Deutsche Oper Berlin.
Gabriela Scherer returns to the role of Pamina in Die Zauberflöte for a one-off performance at the Staatsoper Unter den Linden on 3 January 2026. Following her acclaimed role debut during the 2024/25 season at the same house, the soprano appears once again in the legendary production by August Everding, conducted by Giuseppe Mantuccia.