Gabriela Scherer is the subject of an extensive new portrait in Das Opernmagazin. In this in-depth interview, the Swiss soprano speaks about her artistic path, from her early days as a mezzo-soprano to her current international success in the jugendlich-dramatisch and lirico-spinto repertoire.
She reflects on her acclaimed Bayreuth debut as Gutrune in Götterdämmerung, her return to the Festival in 2025, and her upcoming engagements as Alice Ford in Falstaff at the Staatsoper Unter den Linden, Leonore in Fidelio at the Opernhaus Zürich, and as Irene in Wagner’s Rienzi – the first production of the work ever presented in Bayreuth.
Beyond career milestones, the interview offers a personal look at the singer’s life as a mother and wife, her thoughts on balance, artistic integrity, and the challenges facing women in opera today.
Read the full German article here:
https://opernmagazin.de/gabriela-scherer-im-das-opernmagazin-portrait/
[Photo by Tatyana Vlasova]
"Michael Kupfer-Radecky and Gabriela Scherer match their brilliantly portrayed nouveau-riche Gibichungs with equally strong vocal performances." Nordbayerischer Kurier
Rave reviews for Gabriela Scherer’s Senta in Der fliegende Holländer with the Luxembourg Philharmonic under the baton of Tarmo Peltokoski! Described as “a sensation,” “one of the leading interpreters of this role,” and “a fresh, pristine soprano,” Gabriela received high praise across the board. Read the full quotes below:
On the occasion of her Senta in "Der fliegende Holländer" with the Luxembourg Philharmonic Orchestra, Gabriela Scherer spoke with the newspaper Tageblatt. Here is an excerpt, and you can find the full feature on the newspaper's website.