
Gabriela Scherer will sing for the first time the title role of Liszt’s Die Legende von der heiligen Elisabeth with the Hungarian National Philharmonic Orchestra and Choir led by György Vashegyi. There will be three concerts. The first one will take place at the Müpa Budapest on the occasion of the Liszt Fest on October 9. The concert will be live video streamed at 7 p.m. CET on the following link:
https://mupa.hu/en/mupa-home/webcasts
After the concert in Budapest, there will be two guest performances at the Concertgebouw Amsterdam on October 12 (live radio broadcast on NPO Klassiek at 1 p.m. CET) and at the Flagey in Brussels on October 13.
Gabriela will share the stage with fellow soloists Johannes Kammler, Bogdan Talos, Dorottya Láng and Zoltán Nagy.
More information on the website of the orchestra: https://www.filharmonikusok.hu/en/koncertek/
[Photo: Victor Santiago]
Gabriela Scherer returns to the role of Pamina in Die Zauberflöte for a one-off performance at the Staatsoper Unter den Linden on 3 January 2026. Following her acclaimed role debut during the 2024/25 season at the same house, the soprano appears once again in the legendary production by August Everding, conducted by Giuseppe Mantuccia.
Gabriela Scherer makes her role debut as Alice Ford in Falstaff at the Staatsoper Unter den Linden in Berlin. Conducted by Giuseppe Mentuccia, she joins a distinguished cast including Michael Volle in the title role, Andrè Schuen as Ford, Anna Kissjudit as Mrs. Quickly, Jonah Hoskins as Fenton, Rosalia Cid as Nannetta, Rebecka Wallroth as Mrs. Meg Page, Jürgen Sacher as Dr. Cajus, Karl-Michael Ebner as Bardolfo, and Friedrich Hamel as Pistola. The production is by Mario Martone, with performances running from November 20 to December 7.
Before returning to the role of Gutrune in Götterdämmerung, Gabriela Scherer will appear in two open-air concerts at the Bayreuth Festival 2025 on July 24 and 28. With the Bayreuth Festival Orchestra under the baton of Pablo Heras-Casado, she will perform Lady Macbeth’s Sleepwalking Scene from Macbeth by Verdi, Senta’s “Einsam in trüben Tagen” from Lohengrin, and the final section of Salome’s closing monologue (Schlussgesang). Also performing are baritone Michael Kupfer-Radecky and bass Vitalij Kowaljow, with journalist Axel Brüggemann guiding the audience through the evening.